‘Vibrant Matter ~ Brilliant Fire’
Mar
29
to May 3

‘Vibrant Matter ~ Brilliant Fire’

‘Vibrant Matter ~ Brilliant Fire’

Group Exhibition Curated by Gary Brewer

Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031

wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, March 29th, 2024

Dates of Show: March 29th – May 4th, 2024

Featured Artists: Tim Hawkinson, Alicia Piller, Matthew Brandt, Iva Gueorguieva, Paul Paiement, Olivia Sears/Earl Flewellen, Cheyann Washington, Aline Mare, Gary Brewer, Ernie Lee.

The latent potential that is inherent in matter, and its material vitality has played a part in giving shape and inspiring the vision of many artist’s imaginations. It is an agent that acts in a sense as a catalyst and collaborator, giving new possibilities to create artistic form, language, and meaning.

Early humans, who discovered that fire transforms clay into a hard durable and water-tight substance developed this knowledge into the complex artistic medium and science of ceramics, creating a new material whose potential has had an enormous impact on art, society and the sciences.

Paleolithic artists, medieval alchemists, 19th-century Enlightenment scientists and contemporary chemists have all pursued materials with which to create new pigments. These novel mediums have enlarged the potential of the art of painting, introducing colors that have shaped the vision of painters from Turner to Matisse: the alchemy of matter transforming the mind of the maker.

In her book Vibrant Matter: A Political Ecology of Things, political theorist Jane Bennett suggests the idea of “vital materialism”, and articulates how non- human ‘things’ have agency that can affect and shape the outcomes of human endeavors.

Nobel prize-winning scientist Gerald Edelman proposes a novel theory of consciousness. He believes that our brain is not a fixed and unchangeable biological structure. In his book Bright Air Brilliant Fire: On the Matter of the Mind he articulates the idea that the mind is nimble and shape-shifting; the brain literally rewires itself in response to new experiences. It is shaped by the changing world around us.

The exhibition is a poetic homage to these thinkers and a reflection of how our physical interaction with materials shapes the visual language that we create and its meaning.

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Intersection 2024 Performance Art at Wonzimer
Apr
27
5:00 PM17:00

Intersection 2024 Performance Art at Wonzimer

Intersection 2024 Performance Art at Wonzimer

5PM Doors

6PM Performances Start

7PM End

In the essay “Wind Daruma,” Hijikata Tatsumi describes a figure of wind which sweeps up and through identifiable bodies, transforming, erasing, “immolating” them. The Yupik word for “Self”, “Weather”, “other”

and “wind” is the same Ella, a sort of motion that intertwines our interior space and the exterior world in an emphatic and enduring dance.

Intersection is a site-specific project dedicated to exploring the interconnectivity of painting, sound, dance, and film. The goal is to construct a non-hierarchical entwinement of these traditionally separate mediums. The entwinement prioritizes sensation, embodiment, and synesthesia. The artists rely on improvisation, play, and dialoguing, and the let’s-say-“tactile” intertwining of one’s physical being with the spatio-temporal fabric in which one exists.

Brief Bio:

*Matt McGarvey is a multi-instrumental musician, composer, and producer. He has a PhD in music from UC San Diego. His sound work includes composition for dance, live performance with

dance, painting and installation, live performance and soundtrack work with film, and regular album production. He is the founding member of Unthem Collective, and has worked extensively with painter Iva

Gueorguieva, filmmaker Jonesy, and musician and installation artist Gary Murphy. His recent work as Liquidated State is hypnotic and raw, synth-based music.*Gretchen Ackerman received her formal training from the Grand Rapids Ballet School and

Alonzo Kings’ LINES Ballet. She has danced for Dark Circles Contemporary Dance, RGWW,

Mike Tyus & Co, and ZiRU Dance; performing the works of Joshua Peugh, Sidra Bell, Mark

Caserta, Laurie Sefton, Luca Renzi, Rosanna Gamson, Philein Wong, and Alejandro Perez.

Additionally, she is developing her own language of movement and creation. Discipline of the

self and deep research are at the crux of her art.

*Darrel “Friidom” Dunn, a Dallas native, graduated from The University of Texas at Dallas in 2014 with a

degree in Arts and Technology. Known as the Willy Wonka of Movement, Friidom curates immersive worlds

of movement that bridge divides through philosophy and storytelling. Based in Los Angeles, CA, he works

as a director, choreographer, actor, and movement artist for various art and commercial projects. His

impressive resume includes collaborations with Universal Music Enterprises, Disney, WACO Theater, Tyler

The Creator, Lin Manuel Miranda, Dick Van Dyke, and more. His life’s crowning work is the "Epiic"

movement philosophy, blending Krump, Street Styles, and raw expressive movements, born from his personal struggles. "Epiic" performances are accompanied by orchestral progressions and cinematic scores. Friidom’s work challenges audiences to find the artist within themselves, revolutionizing movement, visual arts, technology, and entertainment. His mantra: “Live Frii, Be Epiic.”

*Iva Gueorguieva (born 1974, Sofia, Bulgaria) is a painter and sculptor. She has an upcoming show at

Night gallery, LA in 2024. Select solo exhibitions and projects include Benton Museum of Art, Claremont,

CA; UTA Artist Space, Los Angeles; Bradwolff Projects, Amsterdam, NL; Susanne Vielmetter Los Angeles

Projects, Los Angeles, CA; ACME, Los Angeles, CA; Frederic Snitzer, Miami, FL; Pomona Museum of Art,

Claremont, CA. Notable group shows include: CAM, University of South Florida, Tampa, FL; Los Angeles

County Museum of Art, Los Angeles, CA. Her work is included in the public collections of museums

including, Los Angeles County Museum of Art, Los Angeles, CA; Minneapolis Institute of Art, Minneapolis,

MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA;

University Art Museum, California State University, Long Beach, CA; Art, Design and Architecture Museum

at UC Santa Barbara, Santa Barbara, CA; Tang Teaching Museum, Saratoga Springs, NY and Benton

Museum of Art, Claremont, CA. She lives and works in Los Angeles.

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‘Plants and Animals that Live Inside a Dream'
May
10
to May 31

‘Plants and Animals that Live Inside a Dream'

‘Plants and Animals that Live Inside a Dream'

Tae Lee Solo Exhibition 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 7 pm- 10 pm/ Friday, May 10th, 2024

Dates of Show: May 10th – May 31st, 2024

Wonzimer is thrilled to present ‘Plants and Animals that Live Inside a Dream' Tae Lee’s first Solo Exhibition with the gallery. 

This collection of work is a gentle dive into the illusory nature of our perception of reality. Influenced by the teachings of Vedic philosophy as well as the experiential glimpses of the ecstatic. The paintings represent an expression of the energy that naturally arises in moments of surrender. 

Through playful imagery, Lee gently challenges the very fabric of our perceived reality and embarks on a quest to discover the true essence of being. Inspired by the artist's own explorations of consciousness, the paintings capture the sense of awe, wonder, and boundless possibility that emerges during moments of deep connection with the universe. Tae Lee Playfully teases our consensus understanding of the nature of self and consciousness through ethereal creatures that seem to shimmer on the verge of existence.

“everything is going to be ok

a sweet and gentle spirit says

heartaches and triumphs

terror and elation

play their part 

disguised as paradox

in synchronistic multiplicity 

to bring you home”

-Tae Lee

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Film Screening: Sacred Futurism,
Apr
21
7:00 PM19:00

Film Screening: Sacred Futurism,

Film Screeing

Sacred Futurism - New Media Art

by Rebecca Nie and Collaborators

Wonzimer Gallery, Los Angeles

341 S Ave, 17 Los Angeles 90031

Sunday (April 21st)

Doors 7 PM

Screening Starts at 8 PM

Q&A With Artist at 8:20 PM

Healing, wisdom, and heritage are the underlying commonalities for the three dynamic new media art pieces by Rebecca Nie and her collaborators. An award-winning artist and published author, Nie collaborates with highly accomplished musicians to create audio-visual installations that artistically aid the audience in connecting with their subconsciousness and intuition. By doing so, the artists invite the audience to experience the sublime directly and tap into the profound healing wisdom innate to every human being.

Rebecca Nie is an award-winning new media artist, published author, and spiritual advisor who lives and works in Northern California. As a contemporary heir of one of the world’s oldest living mystic orders, she creates to artistically aid the audience in connecting with their unconsciousness and intuition. By doing so, Nie hopes to invite the audience to directly experience the sublime and tap into the profound healing wisdom innate to every human being. The inspiration for Nie’s works comes from her inner work, global adventures, and attainment in diverse disciplines. Nie spent over a decade rigorously studying classical representational artmaking and attended college-level classes at art institutions throughout her formal education. In parallel, Nie intentionally expanded her horizon and added depth to her investigation of lights, colors, and forms by studying them from scientific perspectives. She attended the University of Toronto and graduated as a high-distinction scholar with dual degrees specializing in quantum optics and mathematics. Nie subsequently graduated from Stanford University with a graduate degree in applied physics. Another dimension of depth in Nie’s art comes from her training and dedication to engaged mysticism. Nie’s art and introspections are an integrated whole: she lets go of her limited self to allow the lines, colors, and textures to come forth from a mystical center in her being and knows that it is the source through which we are all connected. When not creating art, Nie can be found developing algorithms that interlace mathematical and artistic beauty, translating ancient texts, or practicing Zen yoga, which Nie learned by the Ganges River and in China’s sacred mountains.

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Vibrant Matter ~ Brilliant Fire – Films
Apr
10
7:00 PM19:00

Vibrant Matter ~ Brilliant Fire – Films

FILM SCREENING

Wednesday, Apr 10

7:00pm – 9:30pm

RSVP

FILM SCREENING

Wednesday, Apr 10

7:00pm – 9:30pm

Hosted by

Wonzimer

RSVP to see location

Vibrant Matter ~ Brilliant Fire – Films

Wednesday, April 10th

7:00PM Doors

8:00PM Film Screening(s)

9:30PM End

A FILMIC JOURNEY THROUGH THE MIND, MATTER AND IMAGINATION

OF FOURTEEN ARTISTS

Selection of 15 short films curated by Gary Brewer. Film selections below.

Materiality

1. Jackson Pollock, “Pollock Painting”, 1951, Hans Namuth, 03:44 min

2. “The Story of Kazuo Shiraga and Gutai”, Christie’s, (documentary footage of performances 1955-56), 02:33 min

3. Yves Klein, “Tableau de Feu d’une Minute” 1957, Colette Allendy Gallery, Paris, 04:05 min

4. Richard Serra, “Gutter Corner Splash: Night Shift”, 1995, San Francisco

Museum of Modern Art, 03:14 min

5. Carolee Schneemann, “Up to and Including Her Limits 1973-76”, MOMA, 2010, 02:44 min

6. Peter Voulkos, “Peter Voulkos making a Sculpture”, c. 1956, from

"Revolutions of the Wheel, the Emergence of American Clay Art," produced by Queens Row, Smithsonian American Art Museum, 01:18 min

Readymades and Beyond

1. “Marcel Duchamp talks with Martin Friedman about the Readymade”, Walker Art Center, October 18, 1965, 02:51min

2. “Noah Purifoy- Outdoor Desert Museum”, excerpt of Rashid Bahati and Sue Welsh in 1995 interview, Noah Purifoy Foundation, 02:16 min

3. Theaster Gates, “The Story of bell’s Bell - Young Lords and Their Traces” New Museum, 2023, 03:20min

4. Betye Saar: Lifetime Achievement in the Arts – “MoAD Afropolitan Ball”, 2017, 2:40min

5. Tara Donovan,”Sculpting Everyday Materials”, 2013, Louisiana Museum of Modern Art, 04:21

Artist’s Films in the Exhibition Vibrant Matter ~ Brilliant Fire

1. Aline Mare, “DB”, 1974, 03.11min

2. Iva Gueorguieva, Intersection

3. Tim Hawkinson, “Bosun’s Bass” 2016 Exploratorium, San Francisco,3:17min

4. Tim Hawkinson, “Drip Drawing” 2020, 01:18min

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24 Hour Sunset (Film Screening)
Feb
28
7:30 PM19:30

24 Hour Sunset (Film Screening)

24 Hour Sunset is the first feature documentary, directed by Charles Derenne & Edouard de Luze, covering the Art scene of Los Angeles.

The documentary, co-produced by Douglas Gordon, is composed of intimate conversations between some of the most renowned artists, Galleries,and Collectors living in L.A and the upcoming generation of artists "Made in L.A". The feature includes Paul McCarthy, Kenneth Anger ( His Last appearance), Henry Taylor, Louise Bonnet, Ariana Papademetropoulos, Patrick Painter, Sarah Watson ( Gagosian Director) Raymond Pettibon, Jeffrey Deitch,  Jill Mulleady, Peter Shire, Paz Lenchantin, Umar Rashid, Paul Schimmel, Joe Dallesandro as the narrator, and more...

Each sequence addresses a specific subject, providing pieces of information and personal vision on art, inspirations, and experiences: From the expectations of young artists to the personal hindsight of renowned artists-  Kenneth Anger giving his last message to Generation X armed with iPhones as an extension of their arms, telling them that they can create with limited resources, Henry Taylor in his studio painting live and showing his techniques while exploring his new works, Sarah Watson & Louise Bonnet on their attraction for Los Angeles and the complexity of the city, the body transformations as a model of inspiration, a Dinner at mega-collector Eugenio Lopez with creatives philosophizing about their ideas, Mr Washington sharing his story of how the painting got him out of  a  wrongful lifetime sentence to jail, Jeffrey Deitch and Ariana Papademetropoulos having a conversation about the iconology of Hollywood and the real character of L.A, Paul McCarthy talks about the limitation of freedom and the life of an artist

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Salon de Siècle: an art show made by artists for artists
Feb
24
7:00 PM19:00

Salon de Siècle: an art show made by artists for artists

As an offshoot of the traditional Salon, the term is used loosely as a loan word to signify a semi-regular gathering of creative minded art and literary enthusiasts.

Curated by @apokrify and @cerenoir, both artists unified by a shared appreciation for the genres of the late 19th and early 20th centuries and a desire to explore exciting alternatives to the somewhat sterile “white box” gallery show.

The Salon will take place ahead of this years Frieze week and is an opportunity to celebrate local talent: @thirrrsst , Fayez Ahdab, @cerenoir, @jenniferberkowitz, @rossdcallahan, @everything_kills_2.0, @samopaints, @meganjorgenson, @paashamotamedi, @fadi.masad, @crooked.rib , @sinclairvicisitud, @thewalruscatalogue, @emilyutne, @foroozan_shirghani, @shrineon, @gloriagemsanchez Natalia Szaniawski, @nicoshea_, @angleponce, @seven_ruck_, @spencer_shap, @vascodelrey, @unitedstatesgovernmentofficial, @zinniveshi, @ollievalentineartist, @tarazorthian, @erinn.mp4, @thealexandrayvette and @apokrify.

Eventbrite ticket required for entry. https://www.eventbrite.com/e/salon-de-siecle-tickets-825731654607?aff=oddtdtcreator

The Salon is multifaceted and includes live performance, you can expect: burlesque by “the sweetest star in Hollywood” Honeybaby @ryanhoneybaby, musical performance by French Jazz Vocalist Elene Dee @elene.dee, guest illustrations by Alexandra Yvette @thealexandrayvette, and a DJ set by Sarper Gokbulut @garden.of.earthly.delightss to close out the night.

There is no dress code but we are going for a “dark cabaret” 1920’s theme this Salon so dress accordingly if you would like! (We would love it).

Follow @findesiecle.art for more information and updates on what else will be in store.

We hope to see you there!

(Poster by @apokrify & @nicoshea_ image of @esther.laura.harrington)”

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Uncharted
Feb
17
to Mar 15

Uncharted

Uncharted’ Charles Derenne Solo Exhibition 

Wonzimer Gallery 341-B S Avenue 17, Los Angeles 90031  wonzimerinfo@gmail.com

Opening: 7 pm - 10 pm / Saturday, February 17th 2024

Dates of Show: February 17 – March 15, 2024

Wonzimer Gallery is delighted to present Uncharted by Charles Derenne. The artist immerses the audience in his latest artistic exploration with a new series of jungle landscape paintings and photography collages, which serve as an invitation to explore the uncharted territories of our environmental conscience. A carefully chosen ready-made further enhances the immersive experience, prompting reflection on the delicate equilibrium between human interaction and the primal pulse of the wild. 

In Derenne's artistic pilgrimage, each stroke and snapshot is a journey into the heart of human contradiction—a juxtaposition from his recent expedition of the expanse of Mexican jungles against the vastness of a fictional Arctic void. His canvas becomes a living map, a subtle moment, embracing the emotional landscape of someone torn between the rhythms of colors and the pristine silence of made-up territories. In the dance between the forest's embrace and the solitude of his studio amongst the city's cacophony. Derenne's practice transcends medium, weaving an intricate narrative of the ever-elusive quest for a sanctuary, be it within the dense foliage or the silence of contemplation.

In Derenne's first solo exhibition in Los Angeles, the new delicate painting series dances between the meticulous strokes of the Realists and the vivid juxtaposition of the palette of the Impressionists. As Derenne navigates between techniques, on the intersection of painting and photography, mirroring the sentiment of 19th-century painters grappling with the emergence of photography.  The large pieces of paper with their rough aperture, reveal a darker world of black and white vandalized plants, mimicking the duality of human morality and action. A vending machine sits in the middle of the exhibition like a church in the middle of a village, offering the viewer the possibility of acquiring ephemeral lands in the form of polaroids.  In this intricate dialogue between mediums, Derenne invites us to witness the marriage of two worlds and ponder the profound implications of their entwined existence.

"Uncharted" is a poetic invocation, a reminder of the fragility of the human mind. In this title, Derenne encapsulates the physical landscapes and the fragmentations within ourselves.  Amidst these frozen and lush landscapes, the exhibition delves into the dimensions of our need to isolate and disconnect from the dissonance of daily existence. Derenne's work becomes a mirror reflecting the desire to reevaluate, to discern what truly matters in the quietude of self-imposed seclusion. The title becomes a compass, inviting us into the heart of fictional geographical frontiers and existentialist thoughts. 

7:30 pm February 28th, 2024 

On the occasion of the release of the documentary 24 Hour Sunset on Canal +,  co-directed by Charles Derenne and Edouard de Luze, and co-produced by Scottish artist Douglas Gordon, the documentary will be screened on February 28th, 2024 at 7:30 pm. Derenne will introduce the documentary about the L.A. art scene through contemplative shots of intimate conversations between artists, gallery owners, and collectors such as Kenneth Anger, Paul McCarthy, Ariana Papademetropoulos, Raymond Pettibon, Jill Mulleady, Henry Taylor, Louise Bonnet, Jeffrey Deitch, and others. The screening will be followed by a Q&A. 

Charles Derenne ( Born in Paris in 1982) studied Fine Arts in Bordeaux, Music at Bordeaux Conservatory, and Modern Literature at the Sorbonne. The artist has presented and performed at Moma PS1, The New Museum, The Beyeler Foundation, the Palais de Tokyo, MAK Vienna, Lafayette Anticipation, Mana Fine Arts, The Yvon Lambert Library, and the Agnes B. Gallery. Derenne lives and works in Los Angeles 



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TIME BEING: LIQUID SENSES
Feb
9
7:00 PM19:00

TIME BEING: LIQUID SENSES

'Time Being' Closing Reception and Performance By Ibuki Kuramochi

Doors 7PM

Performance 8PM
End 9PM

Statement: "Liquid Senses" is an exploration that merges the ethereal realms of Butoh dance, visceral expressions, and the fluidity of identity. This performance delves into the essence of corporeality, the uterus, and amniotic fluid, navigating the boundaries between the physical and the metaphysical. Through the poetic movements of Butoh dance, the performer embodies the essence of liquid, embracing the transformative nature of fluidity.

-Ibuki Kuramochi

Suggested Donation for Artist

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Thomas Cooper Studio Open House
Jan
23
1:00 PM13:00

Thomas Cooper Studio Open House

Wonzimer gallery is pleased to take part in an open house at Thomas Cooper Studios – this East LA hub is home to designers Sally Thomas Cooper and Jason Kai Cooper and their design brands and art projects.

Thomas Cooper Studio will open its doors for a captivating day of design in its historic East Los Angeles headquarters and production facilities located at 3400 Medford St, Los Angeles, CA. Between 1:00-8:00pm PST on January 23, 2024, the celebration will include a host of special events, including an invite-only gallerists round table moderated by art critic, curator, and author Shana Nys Dambrot, a design panel discussion featuring Alex Woogmaster of Woogmaster Studio, Design Milk founder and TRAME Head of Brand & Editor-in-Chief Jaime Derringer, and Jason Kai Cooper of Thomas Cooper Studios, a Roger Davies book signing for Beyond the Canyon, and behind-the-scenes Makers Tours of the workshop in collaboration with sister companies Lusive Decor, Monarch, and Luxe Light + Home. 


“With our Thomas Cooper Studio designs, we are constantly pushing our boundaries as creatives and looking to not only our own experience and the world around us but also to our peers,“ says Jason Kai Cooper. “We are excited to be gathering so many people who inspire our own practice and to pull back the curtain on what goes into the design and art processes.” 


Sally Thomas Cooper adds, “We’ve called Los Angeles home for over 20 years and have come to love its dynamic art and design scene. We wanted to celebrate the unique intersection of art and design happening in LA and all the wonderful individuals who are pushing the industries forward.”


Events During Open House 


Gallerists Round Table | 4pm

An invitation-only round table, moderated by art critic, curator, and author Shana Nys Dambrot, will bring together leading minds in the Los Angeles art and design industries to discuss the intersection of art and collectible design.


Roger Davies Book Signing for Beyond the Canyon | 5pm

Acclaimed photographer Roger Davies will be on-site to sign his latest book, Beyond the Canyon: Inside Epic California Homes. Copies will be available on-site for purchase. 


Panel Discussion + Cocktail Reception | 6pm

Woogmaster Studio founder Alex Woogmaster, Design Milk founder and Head of Brand & Editor-in-Chief at TRAME Jaime Derringer, and Jason Kai Cooper of Thomas Cooper Studio will bring their unique perspectives to a panel discussion led by art critic, curator, and author Shana Nys Dambrot. The esteemed panelists will shed light on how they view art and design’s function in interior spaces.  At the cocktail reception guests are invited to enjoy complimentary drinks and hors d'oeuvres while perusing displayed fixtures and artworks and enjoying music from a live DJ. 


Art + Design Walk | Beginning at 1pm (ongoing)

Self-guided art and design walks will be available beginning at 1pm PT. Guests are encouraged to discover the design process and eye-catching artworks— including works by local Los Angeles sculptor Ann Weber— through a series of stations organized within the facility. 


Makers Tours | Beginning at 1pm (ongoing)

Join Jason Kai Cooper and Sally Thomas Cooper, with members of the Thomas Cooper Studio team, on a behind-the-scenes guided tour of their 85,000-square-foot historic workshop space.


Giveaways | Drawings to take place during cocktail reception

Guests will have the option of entering their name into raffle drawings to win a hand-crafted Murano glass bulb or a signed copy of Beyond the Canyon: Inside Epic California Homes by Roger Davies. 


About Thomas Cooper Studio

Creative partners Sally Thomas Cooper and Jason Kai Cooper, long known for fresh, modern lighting for home and hospitality through their ventures Luxe and Lusive, founded Thomas Cooper Studio to explore the material and sculptural essence of lighting.  

The Thomas Cooper Studio collection represents a multilayered, multifaceted collaboration between Jason and Sally. Materials and techniques join forces in a search for the inner poetry of each piece: heat-formed, mouth-blown, flash-cracked glass; carved marble, alabaster, and natural stone; cast and hand-patinaed bronze; hand-polished, leaded crystal. At the same time, a study of sculptural expression creates a balance between shine and shade, density and delicacy, form and function. 

Sally Thomas Cooper studied art history, music, and design in her native New Zealand and has worked as an interior designer, production designer, and marketing director for interior products. Jason Kai Cooper studied scenic and lighting design and has worked as a lighting, theatrical, and product designer. The couple have worked together since 1999 and hold Thomas Cooper Studio as the culmination of their shared design passions. 

Models in the collection are individually hand-crafted by the skilled artisans in our studio. Custom versions tailored to a specific setting are available by commission. 


 @ann_weber_sculpture
@thomascooperstudio
@monarchlighting
@luxelighthome
@galleryplatform.la
@wonzimer
@lusivedecor
@therealalaia

#thomascooperstudioopenhouse #thomascooperstudio #madeinla #artists #customlighting #interiordesign #collectibledesign

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Time-Being: Performance
Jan
19
7:00 PM19:00

Time-Being: Performance

Time-Being: Performance

Friday, Jan 19

7:00pm – 9:00pm

Hosted by

Wonzimer

RSVP to see location https://partiful.com/e/oFBd7pUfVED8qIB88ZJN

Join us at Wonzimer for a special evening of live music from South India. Kaushal Chandrasen will play a blend of Carnatic music on the Veena with electronic rhythms and funky styles on the guitar as an accompaniment. Come enjoy this enriching experience of live music and visual art. Kaushal Chandrasen is from Mysore, a city in South India known as the "Cultural Capital of Karnataka" and for its rich tradition in Carnatic music (South Indian classical music). Currently, he is pursuing a second master's degree in guitar performance from the Musicians Institute. Date and time: Friday, January 19 7 pm: Door opens 8 pm: Performance begins Location: @wonzimer This performance is a part of the programming for the current exhibition, Time-Being: Scientific, Philosophical & Mystical Perspectives * Suggested donation of $15 that goes directly to the performing artist

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Time-Being: Scientific, Philosophical, and Mystical Perspectives
Jan
5
to Feb 9

Time-Being: Scientific, Philosophical, and Mystical Perspectives

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 

 wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, January 5th, 2024 

Dates of Show: January 5h – February 9th, 2024

Exhibiting Artists:

Russell Crotty

Tomory Dodge 

Sharon Ellis

Nancy Evans

Lia Halloran

Charles Long

Linn Meyers

Sandeep Mukherjee

Khang Nguyen

Patti Oleon

Lisa Wedgeworth

Marcus Zuniga

“Firewood becomes ash, and it does not become firewood again. Yet, do not suppose that firewood is before and ash after. You should understand that firewood abides in the phenomenal expression of firewood, which fully includes past and future, and is independent of past and future. Ash abides in the phenomenal expression of ash, which fully includes past and future, and is independent of them.  Just as firewood does not become firewood again after it is ash, you do not return to birth after death.”

- Zen master Eihei Dōgen (13th century Japan)


This exhibition invites the viewer to perceive the featured artworks in light of certain scientific, philosophical, and mystical views on the nature of time-being.

The scientific account of time, which views time as an empty receptacle of discrete nows, is inadequate in its explanation of how consciousness perceives entities across time.  For instance, Newtonian time explains the separation of successive moments but not their continuity.  In other words, each moment is not only independent of every other but also of the perceiver’s mind.

Since temporal events, like listening to a melody or watching someone in motion, are characterized by and experienced as a unified succession, a phenomenological account can give a more integral explanation of time.  This explanation is less concerned with the content of an entity and more with how it manifests as a unity of temporal flux.  It demonstrates how consciousness apprehends and unifies successive moments, giving rise to the perception of the becoming of entities.  A flow of successive moments is more than a collection of discrete nows; the moments are synthesized into a unity while their distinctions in the order are maintained.

The issue of time is intertwined with the nature of being.  Time and the self are understood to be inseparable: The self is not simply in time; the self is time and time is the self.  Subjective temporal life arises through the apprehension and unification of successive states of mind and body.  It is an ongoing construct that is actualized and disclosed by the structures of consciousness.  This phenomenology of time together with ontology give an account of the structures of consciousness that constitute time-being, or rather time-becoming.

Finally, Eihei Dogen views time-being to be more than the coming and going, before and after, of moments.  When the view of succession is broken through, time-being is recognized to be a spacious field of abidance, which is at once inclusive of momentary consciousness and independent of it.  Moreover, disclosed as an immediate wholeness, time-being exceeds any momentary becoming toward consummation in the future.

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The Loves and Lives of Ann Weber
Dec
22
6:00 PM18:00

The Loves and Lives of Ann Weber

Ann Weber Closing Recption

Friday, Dec 22

6:00pm – 8:00pm

Hosted by

Wonzimer

RSVP to see location

https://www.instagram.com/wonzimer/

Exhibition Closing Event Wönzimer Friday, December 22

Doors Open at 6pm Artist alk at 7pm

341-BSouth Avenue 17 Los Angeles, CA 90031

Please join us at Wönzimer Gallery for the Closing Slide Show and Artist Talk, The Loves and Lives of Ann Weber With popcorn and champagne.

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Art & Community: A Discussion with Frances Anderton & Ann Weber
Dec
15
7:00 PM19:00

Art & Community: A Discussion with Frances Anderton & Ann Weber

Art & Community

Friday, Dec 15

7:00pm

Hosted by

Wonzimer

https://partiful.com/e/40qG7faIQ8jOtXnctwhb

Art & Community: A Discussion with Frances Anderton & Artist, Ann Weber

In addition to a daily studio practice, Ann Weber believes that participating in the arts community has furthered her ambitions beyond measure. In this one hour discussion, filmed by LA Art documents, she and Frances Anderton talk about how to become more involved with the magnificent culture of Los Angeles. Frances Anderton tells stories and distills ideas about design, architecture and the cityscape of Los Angeles, in print, broadcast media and public events. She is the author of Common Ground: Multifamily Housing in Los Angeles, winner of a Gold award for best Regional Nonfiction from Foreword Reviews. She has co-produced short films for the nonprofit housing developers Community Corporation of Santa Monica and Venice Community Housing, and she is currently researching “Awesome and Affordable” housing as a Fellow of Friends of Residential Treasures: Los Angeles (FORT: LA). She writes a regular newsletter on design and architecture for KCRW public radio station, for which she previously hosted the show DnA: Design and Architecture, and produced the current affairs shows Which Way, LA? and To The Point. Honors include the Esther McCoy Award, from the Architectural Guild of USC School of Architecture, for her work educating the public about architecture and urbanism. She teaches at USC, and she serves on the boards of AIA/LA, Community Corp, and Palm Springs Modernism Week.

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Autopsicografia Reading Night
Dec
6
7:30 PM19:30

Autopsicografia Reading Night

Autopsicografia Reading Night at Wonzimer is an interdisciplinary reading night by Brazilian artist Amanda Maciel Antunes initially created for an installation at Redondo Beach Historic Library, CA. The work’s centerpiece is a table with four chairs where guests are invited to sit, and read from their works in text...such as poetry, letters, transgressions and confessions. The table is covered with a handmade woven cloth that serves as an on-going embroidered poem by Antunes and guests. In her practice, she’s often concerned with anthropological texts and poetry in translation, reflecting on the selective nature of memory, language and cultural heritage. The title is from a poem of the same name by Fernando Pessoa. The work proposes many possible interpretations and the concept that language at first, lives primarily as a sound to be understood followed by meaning.

Mehregan Pezeshki

Adele Bertei

Prima Jalichandra-Sakuntabhai

Regina Herod

Sara Ellen Fowler

ACTS: Four guests sit at the table and read from their works by taking turns. A projection (birds eye view) of table and hands will be simultaneously shown above on the wall. When guest is not reading they are welcome to embroider, write, stitch or simply do nothing and just wait for their turn to read again. This ends when all guests have read their works, and walked away from the table.

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Film Screening: Eva Hesse
Dec
1
6:30 PM18:30

Film Screening: Eva Hesse

SCREENING TIME:

6PM DOORS

7PM SCREENING BEGINS

9PM END

FILM AND DETAILS:

Eva Hesse, A film by Marcie Begleiter, Director, Writer, Producer

The Director will be present to introduce the film and be available for a Q & A following

the film.

Duration: I hour 48 minutes

Trailer: https://www.youtube.com/watch?v=aov6R8qmf10

Description:

Eva Hesse, a documentary that explores the journey of an extraordinary woman; an artist whose life was in dynamic interplay with the development of her ground-breaking work. The story takes place in the excitement of 1960's NY; the downtown art scene with the creative community, in their studios and on the streets plays a major role as does the burgeoning feminist movement. The film also explores her youth as a Jew in 1930's Germany, a country she returned to in 1964 to face her past and forge her future. A poignant look at a profoundly talented artist whose career, as it was beginning, ended in both tragedy and triumph. I selected this film because Eva Hesse had a profound effect on my life as an artist. She was a role model to me and countless other women because she broke down so many doors for all of us.

Introduction for Marcie

Marcie Begleiter, the director and producer of Eva Hesse, is a California-based artist working in photography, drawing,

ceramics and film. The documentary premiered at the Whitney Museum in 2015 and was broadcast on PBS’ American

Masters in 2018. It also received world-wide theatrical distribution and has screened at major art museums in Europe and Asia.

Begleiter’s work has been supported by grants from the NEA, LACES, the Foundation for Art Resources and Germany's

Hamburger Kunsthalle. Recent group shows include exhibits at the CICA Museum in Seoul, the Praxis Center of Art in

Minneapolis, and the University of Santa Barbara. Her solo show “What Will Remain: Recent Drawings and Photographs, was presented at the Cambria Center for the Arts in 2022.

In academia she was the Founding Director of the Creative Action/Integrated Learning Program at Otis College of Art, Associate Professor in the Graduate Department of Film at Art Center and on faculty at the International Filmschule in Köln, Germany. She is based in Los Angeles and Los Osos, CA.

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“O What Fools We Mortals Be”
Nov
10
to Dec 22

“O What Fools We Mortals Be”

“O What Fools We Mortals Be” 

Ann Weber, Solo Exhibition 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 5 pm-10 pm/ Friday, November 10, 2023 

Dates of Show:  November 10 – December 22, 2023

Wönzimer Gallery, is pleased to announce its first solo exhibition with Ann Weber.

Step into a world of monumental, sensuous, and anthropomorphic sculpture, made from discarded cardboard boxes. Most of Weber’s pieces reference her personal life and the current state of the world.


Ann Weber's technique of weaving with cardboard strips to provide structural strength is a metaphor for the artist’s lifelong practice of bringing people together. Based in Los Angeles, Weber creates large-scale forms exploring the themes of relationships, community, and sustainability. After years of making functional pottery in New York City, she relocated to California. She turned to cardboard for its lightness, inspired by Frank Gehry’s cardboard furniture. Each sculpture is crafted from foraged boxes, assembled with stapled strips, and animated by the found juxtaposition of printed colors and letters. And in the 21st century, the vast proliferation of excess cardboard shipping detritus has amplified the meaning of the material she has been utilizing since 1991: in her hands, this unassuming substance narrates universal connectivity and our shared human experience.


 The title piece in the show,”O What Fools We Mortals Be”, slightly revises the famous quote from Shakespeare’s Midsummer Night’s Dream. Using simple forms, the piece conveys, through texture and pattern, the complicated intricacies of life. “The genesis of Tender Mercies” lies in a challenge the artist gave herself to create three forms from one 4 x 8-foot piece of cardboard, wasting little while creating something dynamic. The phrase “tender mercies” derives from the Hebrew tradition of a very personal and individualized blessing.

Ann Weber was born in 1950 in Jackson, Michigan, and earned her BA in art history from Purdue University in 1972. After living in upstate New York and New York City, Weber moved to California to pursue her MFA at the College of Arts and Crafts in Oakland, where she studied with Viola Frey. She was awarded a Pollock Krasner Grant in 2018. Weber’s work has recently been exhibited at the San Francisco Museum of Modern Art; Long Beach Museum of Art; Craft Contemporary Museum in Los Angeles; The Boise Art Museum and Torrance Art Museum. Notable coverage includes the Los Angeles Times, Sculpture Magazine, Artillery, and online publications. Her cardboard sculptures have been cast in bronze and fiberglass for private clients and public art projects in Phoenix, Denver, Sacramento and Emeryville, California.

Exhibition Programming:

Friday, December 1, 7 pm | Film Screening of Eva Hesse with an introduction by Director, producer, and artist Marcie Begleiter

Friday, December 15, 7pm | Discussion with artist Frances Anderton “Art & Community”

Friday, December 22, Closing | Slide Show and Artist Talk, “The Loves and Lives of Ann Weber“ with popcorn and champagne

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Wonzimer Open Studios +  Performance By Abacus
Nov
4
6:30 PM18:30

Wonzimer Open Studios + Performance By Abacus

Wonzimer Open Studios

With a special performance by Abacus

Wonzimer’s Artist Residency Program (W.A.R.P.) began on June 1st, 2022.

Featuring thirteen contemporary artists that will exhibit one painting, along each of their studios at Wonzimer gallery.

W.A.R.P. is an enriching contemporary artist residency program that is designed to give artists from all backgrounds the ability to develop a body of work while learning and growing alongside a welcoming community.


David Hansen

Cheyann Washington

Vasco Del Ray

Paasha Motamedi

Carsten Bund

Snezana Saraswati Petrovic

Jen Simmons

Daniel Castellanos Reyes

Vanessa Go

Rebekah Villacorta

Uma Rani Lyli

Sylvia Feliz Sewell

Brooke Pfaff


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TRYST
Oct
27
to Oct 29

TRYST

RSVP

Exhibiting Artists :

Joshua AM Ross

Ann Weber

Cheyann Washington

Lucien Dante Lazar

Gary Brewer

Khang Nguyen

TRYST will be the world’s largest art fair for alternative galleries and artist-run initiatives.

TRYST presents a panorama of diverse artistic voices addressing a range of issues from different types of artist groups, with various structures, that exemplify the myriad ways that these initiatives support and grow the art world.

DJ’s, sound art, and performance art will be featured at select times throughout the weekend.

Friday October 27th: (preview) 4-6pm

Saturday October 28th: 12-6pm

Sunday October 29th: 12-6pm

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‘Artifacts of Initiation’
Oct
6
to Nov 3

‘Artifacts of Initiation’

‘Artifacts of Initiation’

Lucien Dante Lazar Solo Exhibition 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 

 wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, October 6, 2023 

Dates of Show: October 6 – November 3, 2023

Wonzimer is excited to present Lucien Dante Lazar’s second solo exhibition with the gallery, titled ‘Artifacts of Initiation’. This exhibition displays Lucien’s diverse body of work dealing with similar subjects yet divergent in aesthetics.


Lucien Dante Lazar strives to create art that reveals the human being as composed of the invisible substances of imagination, inspiration, and intuition. Through his artistic praxis, he develops these three faculties into conscious experiential processes. Lazar says that “by making one’s imaginative, inspired, and intuitive activity conscious, one can intentionally participate in the forces that create the world.” Artifacts of Initiation reveals this development through art, and is intended to elicit the self-knowledge and self- transformation this developmental journey requires. Through a unique selection of artworks from the past nine years, Lazar hopes to invite people into witnessing how art can support and express our evolving selves, and ultimately, awaken us to the processes of reality. 


Lucien Dante Lazar (b. June 24th, 1994 in Evanston, IL) is an interdisciplinary artist whose praxis is founded in the intersections of art, science, and spirituality. He received his BA from Bard College (2016), his MFA from California College of the Arts (2020), and is currently working on his PhD in the Philosophy, Cosmology and Consciousness program at California Institute of Integral Studies. His dissertation will concern the pedagogy of spiritual development through the diversity of the arts.

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Fields of Dreams : The Paintings of Davood Roostaei
Sep
22
to Oct 2

Fields of Dreams : The Paintings of Davood Roostaei

Fields of Dreams: The Paintings of Davood Roostaei

A Solo Exhibition Curated by Peter Frank 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 

 wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, September 22, 2023 

Dates of Show: September 22 – October 2, 2023, Open 7 Days a week, 12-7 pm

DAVOOD ROOSTAEI: AN INTRODUCTION

Davood Roostaei was born in Malayer, Iran, southwest of Tehran, in 1959. Roostaei studied at Tehran’s Academy of Fine Arts in the late 1970s, until the Islamic Revolution upended Iranian creative life. Opposed to the new order and, as a pacifist, to its war with Iraq, Roostaei turned to the overtly political art form of graffiti – and was imprisoned for two years, under notoriously harsh conditions, for anti-regime activities.

In 1984, soon after his release, Roostaei gained asylum in Germany, ultimately settling in Hamburg. German art was dominated at the time by neo- expressionism, specifically die neue Wilde. This expansive style, driven by impulse and engagement, suited Roostaei perfectly, and he quickly developed his own approach, at once gestural and depictive. As he plied and evolved his style, he was able to conflate his infatuation with paint with his fascination with modern life – particularly as of 1986, when he abandoned brushes and began painting with his fingers, a technique he relied on for the rest of his career. In 1990, Roostaei declared his artistic approach “Cryptorealism,” acknowledging the most important conceptual factor in his picture-making: his seemingly abstract explosions of pigment in fact grew out of figural compositions, ranging in theme from the mythical to the quotidian, the heroic to the hilarious, and these figural forms were subsequently hidden beneath the skeins of pure paint apparent to us. Cryptorealism, derived from the Greek term “crypto” meaning hidden or secret, is a manifestation of obscured meaning, revealed only through layered imagery, the grasp of which requires active participation by the observer.

After a decade and a half in Hamburg, during which he enjoyed prominence in artistic and social circles, Roostaei found he had exhausted his dialogue with German and European art (and politics) and relocated again in 2000, this time to Los Angeles. If Germany provided Roostaei political asylum, America provided him spiritual and perceptual freedom; here, his void was his own. California indulged Roostaei by leaving him alone as much as by paying him attention. In the wake of COVID, however, Roostaei and his enthusiasts felt the need to reclaim his audience. He was painting boldly and furiously and gaining fresh attention when, in early 2023, he was suddenly overtaken by cancer.

As he intended, Davood Roostaei left behind a legacy of vigor and intensity; and as he had hoped, its reintroduction begins where he has left off, in the middle of Los Angeles’ creative cauldron.

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Eco-Film Screening Party
Sep
15
7:00 PM19:00

Eco-Film Screening Party

Collection of films by exhibiting artists curated by Lawrence Gipe

SCREENING TIME:

7PM DOORS

8PM SCREENING BEGINS

9PM END

ARTIST FILMS AND DETAILS:

Title: Anti-Frontier: California City

By: Daniel Tovar

Description: Two-channel looped video, color, stereo sound; 16 min., 30 sec.

"Anti-Frontier: California City" is a video installation examining the history of resource extraction in the western tip of the Mojave Desert.

Title: Blind Ritual,

By: Liz Miller-Kovacs.

Blind Ritual is video short produced with a crew of two people in the wind farms near Palm Springs, California. The theme of the video is spirituality, death and rebirth. The context of the work is after the looming environmental disaster which humanity is currently facing. Blind Ritual is a surrealist narrative set sometime in the post-apocalyptic near future where the earth has turned into an endless desert. The costuming of the piece is meant to convey protection from a hostile physical environment. The color of the video reflects harsh UV rays due to toxic pollution and the destruction of the ozone layer. As no fossil fuel remains, the few survivors can only rely on wind-generated electricity. This is an environment that does not easily support life of any kind, and very few humans and animals remain. A lone, faceless protagonist lives a nomadic existence amongst the wind turbines. They struggle to preserve a sense of humanity and mourn the loss of civilization. While performing a ritual in remembrance of a loved one they suffer an emotional breakdown, yet emerge triumphant despite their dystopian circumstances.

Title: Hypocrisy of Sanctuary,

By: Beth Davila Waldman

Created in March 2018 during a residency at Playa Institute in Summer Lake, OR, this film “Hypocrisy of Sanctuary” revealed the integral role of site back into my work. Since 1997, my art has explored connections with my maternal desert homeland Arequipa, Peru as its primary site. As an American revisiting my mother’s city ever 5 years, I have found ways to anchor myself to this land.

My art challenges the idea of permanency starting with photography as its visual language and site as an inspiration to speak to the shifts in home, cities and the resulting human conditions. My approach values the navigation of uncharted grounds, repositioning existing elements to create something more powerful. My work promotes the idea of change and transformation breaking ground literally by shattering my own source photography from global landscapes into a series of new fragments used to create energetic abstract landscapes as collage works on panel with material, color and form. From this film, that resulting series is entitled "Desert Intersections". As a processed based artist, my collages on panel, works on paper, video performance works and photographic art embrace the multiple stages of my studio practice.

This video work developed as an intention to symbolically excavate the ruins of my Peruvian Ancestors from Summer Lake as a metaphor for the sacred Inca Lake Titicaca, & juxtapose the actual site with my own current west coast American existence. A newer part of my creative process since 2018 including 6 other video works involved the choreography of the video, considering time of day for light, the presence of others in public spaces, security of self & equipment, & the role of myself as the figure. A developing voyeuristic perspective of my body representing something beyond “the me” was also new ground for my practice.

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how swift, how far
Aug
18
to Sep 20

how swift, how far

how swift, how far

A group exhibition curated by Lawrence Gipe

Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com Opening: 5 pm-10 pm/ Friday, August 18th, 2023
Dates of Show: August 18th – September 20th, 2023

Exhibiting Artists:: Luciana Abait, Johnnie Chatman, Lawrence Gipe, Alexander Kritselis, Aline Mare, Liz Miller-Kovacs, Ryan McIntosh, Beth Davila Waldman, Daniel Tovar

“How swift, how far
the sea
carries a body from shore. Empires fail, species are lost, spotted frogs

and tufted puffins forsaken.”
Risa Denenberg, from “Ice Would Suffice”

how swift, how far is a group exhibition of 9 artists that engage environmentalism beyond the realm of “documentary” images, creating transformative and metaphorical works about the various ecologies we inhabit in media that includes painting, photography, sculpture and video. While issues like climate change are always in the forefront, this show seeks to acknowledge the multiple issues that our environmental woes as a society interconnect with: concepts of identity, class and other cultural resonances that are relevant in our current discourse. The artists in how swift, how far leave room for inexplicability and multiple meanings for the viewer, much like the title: taken from Risa Denenberg’s environmental poem “Ice Would Suffice”, it is enigmatic at first glance, but pointedly eco-oriented in context of the verse.

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“Damn..” Five Films by Chester Vincent Toye
Jul
29
7:00 PM19:00

“Damn..” Five Films by Chester Vincent Toye

“Damn..” Five Films by Chester Vincent Toye 

Wonzimer is thrilled to present five short films by Chester Vincent Toye for Gallery Weekend LA in conversation with the Current solo exhibition “STREAKIN” by Joshua AM Ross

Saturday, July 29th Doors Open 7 pm

Films screening starts at 8 pm

Utilizing humor and a range of formal approaches, these selected films turn the socially acceptable on its head, and explore how shame, guilt, privilege, and power manifest in a variety of social interactions.  Chester Vincent Toye

Ruby, 9 minutes 15 seconds, 2022

Detached, 5 minutes 1 second, 2022

thank you, thank you, thank you, 7 minutes 18 seconds, 2021

I'm SO Sorry, 5 minutes 25 seconds, 2021

Hangtime, 11 minutes 14 seconds, 2023 (Los Angeles premiere)

Q & A hosted by director Dorian Tocker

Gallery Association Los Angeles GA(LA) is pleased to announce the third edition of Gallery Weekend Los Angeles, running from

Westside - Thursday July 27

Central - Friday July 28

Eastside - Saturday July 29

GALLERY WEEKEND LOS ANGELES features over 80 local galleries and art spaces, including non-profit art spaces, alternative art spaces, and museums.

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Streakin
Jul
21
to Aug 11

Streakin

“STREAKIN”

Joshua AM Ross Solo Exhibition Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 5 pm-10 pm/ Friday, July 21st, 2023

Dates of Show: July 21st – August 11th, 2023

Wonzimer Gallery is delighted to present "STREAKIN", Joshua AM Ross's first solo exhibition with the gallery. This exhibition highlights Ross’s drawing practice, which has been his focus for the past three years.

“STREAKIN,” is a rejoinder to adolescent
fears and liberating memories represented through astonishingly intricate colored pencil work on paper. The artwork's frame-splitting differences and morphing moments examine how things rematerialize in order to contemplate the nature of transformation.

Joshua AM Ross creates an alternate world which he visually depicts through his drawings. The drawing's subjects take as their central point a garment configuration that mobilizes nearly impossible arrangements of clothing and bodies. In this particular series, the setting retains a dimension of living spaces in which abstract limbic forms are placed. These dimensions enchant, enhance and estrange mundane domestic experiences.

Joshua A.M. Ross (b. 1992, Indianapolis) holds a MFA in Art from the University of California, Irvine, and a BFA in Photography from Herron School of Art in Indianapolis, Indiana. Ross's work explores the interplay between drawing and photography through notions of performance, occasioning sculptural and spatial interventions. His artworks incorporate creative participants, fabrics, and bodily limbs as critical focal points interlaced with representational and abstract scenes. In tandem with his completion of a residency at Wells College, String Room Gallery, New York, 2022, and Massachusetts Liberal Arts College, Artist Lab, 2021, Ross opened solo presentations titled Stumbling Stumbling and come inside. Other recent notable exhibitions Ross’ work has been featured in include Shadow Tracer at the Aspen Museum of Art in Aspen, Colorado, 2022-2023, Loitering is Delightful at the Los Angeles Municipal Art Gallery, 2019-2020 Slippers at Queens LA, 2019 a series of performances titled Telethon at Human Resources Los Angeles, 2019.

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"Shapes of Vitality"
Jul
7
to Jul 13

"Shapes of Vitality"

"Shapes of Vitality"

Allartnow x Wonzimer  

341B South Avenue 17 Los Angeles, California 90031

Opening: 5 pm - 10 pm/ Friday, July 7th, 2023

Dates of Show: July 7th - , 2023

Exhibiting Artists

 Felice Hapetzeder - Connie Chappel - Juanma González - Katarina Eismann - Muhammad Ali - Nisrine Boukhari - Rezan Arab - Anna Ill

curated by Abir Boukhari/2023 Stockholm 

The richness of our surroundings have inspired artists throughout history to create artwork about the natural world, the city environment, and the human condition. Art invites us to see the beauty and complexity of our places, listen to the stories of others, and tackle the problems and cases within our world. The artists featured in this exhibition have observed and created a variety of works that capture their experiences and interests in their surroundings. Their diverse work focuses on nature—climate change and its impact on our world—centralizes on architecture—the atmosphere of the city and its influence on our lives—searches into human behaviour—our relationships with each other and with our vast world. For this exhibition, we selected artists from AllArtNow group to take part in "Shapes of Vitality".

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Artist Talk with special guest Branko Milisković / Where Earth Becomes Aether
Jun
10
7:00 PM19:00

Artist Talk with special guest Branko Milisković / Where Earth Becomes Aether

Where Earth Becomes Aether

Saturday, June 10th, 2023 / 7pm open door

7:30 pm informal curator walkthrough of the show with introduction of all artists.

8 pm Vojislav and Jason start artists talk with video presentations, 20 min

8:20 Francesca Bifulco

8:40 Branko Miliskovic

Join us for the special presentation and conversation with the exhibiting artists, 

Francesca Bifulco, Jason Jenn and Vojislav

and  a special guest from Belgrade, Serbia, performance artist Branko Milisković.

Image from the performance "Cabaret of an Intruder" by Branko Milisković; photo by Marija Konjikusić

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Where Earth Becomes Aether
May
26
to Jun 30

Where Earth Becomes Aether

Where Earth Becomes Aether

Wönzimer Gallery

May 26th, 2023 - June 30th, 2023


Group exhibition featuring works by: Marthe Aponte, Francesca Bifulco, Adrienne DeVine, David Hollen, Jason Jenn, Aline Mare, Rosalyn Myles, Vojislav Radovanović, Catherine Ruane, Nancy Kay Turner, Cheyann Washington, Christine Weir, and Sean Yang

Curated by: Jason Jenn & Vojislav Radovanović


Where Earth Becomes Aether is a group exhibition at Wönzimer Gallery investigating the elemental nature of art-making, constructed by earthy resources and inspired by ethereal ideas. Materials including rock, metal, graphite, minerals, textile, clay, and plants are transformed into a multifaceted range of creative gold that embodies the alchemical power of human imagination. Viewers are invited to explore the connection between the physical and emotional, the ephemeral and eternal, and the material and immaterial.


The title alludes to the ancient Greek concept of Aether, the fifth element that fills the universe beyond the terrestrial sphere, and which was believed to be the substance that made up the heavenly realm. The idea of a divine substance that connects the earthly and celestial spheres is explored in works that reflect on humanity’s unique place and status conceived and growing on Earth, but as creatures influenced and drawn toward the heavens. As the Roman poet and philosopher Lucretius wrote in “De Rerum Natura,” Aether is the “fifth body” that moves the stars and planets and connects all things in the universe. 


Each of the thirteen featured artists employs their own unique process to alter the quotidian into the extraordinary, bringing disparate elements and influences together to achieve a transcendent synthesis. Whether working in painting, sculpture, installation, mixed media, and beyond these artists all share a visionary approach to the materials and processes that shape their practice. The exhibition is a sacred celebration of the infinite possibility that art possesses in a space Where Earth Becomes Aether


Wönzimer Gallery 

341-B South Avenue 17, 

Los Angeles, California, 90031

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From Dusk Til Dust
May
13
to May 21

From Dusk Til Dust

From Dusk Til Dust

Wonzimer x Allartnow

Älvkarleövägen 6, 115 43 Stockholm, Sweden

Opening: 6 pm - 10 pm/ Friday, May 13, 2023

Dates of Show: May 13 –May 21, 2023

Curated by Sebastian Rosen

Paintings by Sebastian Rosen and Katie Hector/

Sculptures by Joachim Castenada and Stefanie Guerrero

“From Dusk Til Dust” is a group show centered on themes of dystopia, morbidity, and culpability. Speaking to an uncertain global landscape politically, financially, and socially; while questioning the confrontation of such a reality. Alluding to one’s ability and/or decision to be consumed, confrontational, or avoidant.

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Crime Pays: 999 Ways
May
11
5:00 PM17:00

Crime Pays: 999 Ways

Sebastian Rosen is drawn to the expressive power of color and texture that only an intuitive process-based method of painting can cultivate. His canvases construct, expand, and collapse space by confronting the rigidity of perspective and denying a clear viewpoint into the worlds he creates. He offers worlds whose geometry and logic are amorphous and shifting; thus never stable. It is through the absence of such pictorial stability that the viewer is forced to intuit their own way through these spaces. This gives the viewer something in common with the figures inhabiting these spaces, both unsure of how and where to move.

In his show, Crime Pays: 999 Ways, Rosen presents a collection of these spaces. The works range from sweeping landscapes to intimate rooms that pull the viewer back and forth from the exterior to the interior and give evidence of this material journey. With each part of the painting composed through a reactive and intuitive process, it is the materials used that drive these decisions. It is where the surface of these materials meet the images they create that his works become windows that question whether one should look through them or at them.

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Open studios at Wonzimer
May
5
4:00 PM16:00

Open studios at Wonzimer

Open studios at Wonzimer ​​​​​​​​​Saturday May 6th 4pm -8pm
Featuring thirteen contemporary artists that are exhibiting one artwork, along each of their studios.

W.A.R.P. is an enriching contemporary artist residency program that is designed to give artists from all backgrounds the ability to develop a body of work while learning and growing alongside a welcoming community.

David Hansen
Cheyann Washington
Vasco Del Ray
Paasha Motamedi
Loveis Wise
Snezana Saraswati Petrovic
Jen Simmons
Lauren Jenkins
Vanessa Go
Rebekah Villacorta
Alepsis Hernandez
Cece Liu
Paula Van Oppen

Co Aligned with @keystoneartla
Keystone Art Space
OPEN STUDIOS
Saturday May 6th 4pm- 9pm

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